Sankofa‘s director, Haile Gerima, is an African filmmaker who was part of the L.A. Nabwana has developed an international outlook far earlier than any of the Hollywood studio moguls ever did. Alex didn’t slam down into the wall, though. is an independent, low budget Ugandan action movie, produced by Ramon Film Productions, and is billed as "Uganda's first action movie". Many films from this phase feel more like poetic contemplations than aggressive critiques. “I don’t see a more effective way to increase Africa’s presence… than producing more Genre films.”. will achieve the recent crossover success of Tommy Wiseau’s The Room, but the financial support of its fanbase allows for Wakaliwood to be a full-time profession for Nabwana and many of the people of Wakaliga. But Nabwana understands this. has ushered in a more global, varied African Cinema that is advancing further towards the fourth phase- and that is why it is the most important African film of the 21st Century. Nabwana’s maverick approach is markedly different to other film industries within Africa, leading him to the kind of success they have been unable to achieve. “I know we need good cameras, computers but even without, you can not just sit, we have the talent, we have the passion, we can do it… We are training children, they are ten in number. His decision to join the force had frayed friendships. This lack of infrastructure makes it even harder to alter the situation. Read it! To refer to this second phase as “The Wilderness Years” would be a gross exaggeration, but artistic breakthroughs were not translating to the development of the continent’s cinematic culture or its global influence. The clock tower on the Palace of Westminster, the one with Big Ben in it, Why no, you're not going to find out who killed Captain Alex. And a bold coming-of-age gay love story depicting a truly African-American experience that successfully crossed over into the mainstream and awards glory. Tweets by Wakaliwood (X) BACK TO BASE. But, The film’s random, madcap humour has tapped into meme culture, another reason for its longevity. | Stars: Kakule William, Kakule Wilson, Sserunya Ernest, G. Puffs. Dudnik was a celebrated pioneer in the Soviet whaling industry, and had received the Order of Lenin—the Communist Party’s highest honor—in 1936. Sembene’s work slowly found some sort of second life in Europe, but that was confined to academia and the cinephiles. Paul Westphal Death- Obituary, Dead, Funeral : American basketball player Paul Douglas Westphal has died Saturday, January 2, 2020. Also, a panpipes cover of Seal's "Kiss From a Rose" plays during completely inappropriate times, like during a serious drama scene or a stealth scene. is a 2010 Ugandan action-comedy film written, produced, and directed by Nabwana Isaac Geoffrey Godfrey, in Wakaliwood, an ultra low-budget studio in Kampala, Uganda. Pan-Africanism was becoming far more prominent, and Africans were in some ways beginning to shed the gentrified culture enforced upon them by oppressive colonialism. These problems have plagued African Cinema since the middle of the 20th Century, and until recently we have seen little effort to resolve the matter. Abderrahmane Sissako, as well, represent an increasingly emotionally complex, philosophically sophisticated and sensitive type of African Cinema. Nigerians on Tuesday lambasted soldiers of Operation Safe Haven for their reckless killing of a polytechnic student, Muhammed Mado, who was attending a wedding alongside his relatives in Dengi in the Kanam Local Government Area of Plateau State. 723 films watched. And the movie seems to be pretty cynical about it. IF YOU HAVE FAN VIDEO - POST AND SEND US A LINK! became a viral hit for several reasons, one of which is the kind of film it is- a piece of Genre filmmaking. has brought him into the orbit of the most important film market of the present day. the most important African film that has been offered up in the last 18 years? Elsewhere, a hand presses a lever that unravels a thin wire cord from a spool. Before the conversation can advance, it needs to really get started. Votes: 7,203 Hand-painted by Wakaliwood artists on bark cloth, a natural, Ugandan fabric traditionally used as a burial shroud - we use it for painting! Read it! Who: Dr. Curt Connors; Source: The Amazing Spider-Man (2012) There's no place like home. Permissions beyond the scope of this license may be available from firstname.lastname@example.org. The novel makes some assumptions and some explicit arguments about female sexual agency and the madonna-whore dichotomy which are certainly questionable and which demand detailed discussion. doesn’t have this problem. The trailer for Who Killed Captain Alex? Distasteful and ludicrously plotted, I Know Who Killed Me is a career nadir for all involved -- particularly Lindsay Lohan in a dual role. — Mason to Woods. I Know Who Killed Me Critics Consensus. It all starts with Nabwana- he has more ambition for Cinema beyond the art of filmmaking than perhaps any other African filmmaker in history. There was less of a sociopolitical motivation to leave an African mark on the cinematic medium, as this had been achieved over the last three decades. Who Killed Captain Alex? bmun uses Letterboxd to share film reviews and lists. On Friday night’s Gold Rush, Parker Schnabel’s team is trying to move a huge trommel down the road to the airstrip. It is not imitating Hollywood, but shows the same potential. At least, not without referring to relations with the West. Rebellion movement in the USA, and his film deals with the Diaspora’s need to remember its heritage. Rebellion school of filmmaking, by one of the first publicly recognized African-American filmmakers since Oscar Micheaux. Director: Nabwana I.G.G. Now it is up to Bruce U, a mixed martial arts master and the dead captain's brother, to get revenge on the Tiger Mafia and bring Richard to justice before he, his Tiger Force goons, and his squadron of attack helicopters put a plan into motion to destroy Uganda's cities and bring down Uganda's government for good. One look at Wakaliwood’s growth, and its continued international attention through various press outlets and film festivals, draws very promising comparisons- but on Wakaliwood’s terms. After stealthily sneaking into the base, taking out a few guards, and directly assaulting the base (interrupting a drug deal that the gang was conducting and getting the USF into a deadly and long gunfight with multiple Tiger Mafia goons), the USF commandos manage to capture the brother of the gang's leader Richard and escape unharmed. Our exclusive TV Shows Ace clip opens at Indian Creek as Stephen Salyers is moving on out, carrying a heavy and huge hunk of machinery on his truck bed as boss Parker Schnabel follows "GDP: Big Third Quarter, Modest Growth Coming in 1st Quarter of … Like all moguls, he has thrived by making use of developing technologies. This thinkpiece could be criticised for being yet another analysis written within a Western frame of reference- that I am praising Who Killed Captain Alex? Americans know their Cinema, as do British people, Chinese, Australian, French… but do Africans? A real pageturner. It exists in an absurd reality slightly removed from our own. “Nabwana is the first true African movie mogul.”. Okay, guys. The characters are more than game pieces that the author moves around the novel to solve the novel. Africa was becoming increasingly independent, in terms of sovereignty at least, during the time of these films. (There are, of course, other notable landmark films in African and African-American Cinema, such as Cheryl Dunye’s Watermelon Woman, but the three aforementioned examples have penetrated the public consciousness to a far greater extent). As one of the few filmmakers to be part of this solution to the issues that have held back African Cinema, Nabwana has taken this a step further- the inspiration for Who Killed Captain Alex? The distraught Richard (after learning of his brother's capture by the USF on national TV), with the help of his double agent/spy on the inside of the USF command structure, retaliates with a massive assault on the USF base that results in the death of Captain Alex (it is disputed who killed him, however) and the USF falling into disarray for quite a while. The fact they are masterpieces has ensured they are more than just an interesting historical marker. However, with Colonial forces leaving, there was clearly little desire for them to share and exhibit African films in any great way- it would have been a further demonstration of their perceived failure to maintain control. is the best African film of this century, but it is the film that signifies a shift in cultural influences, of overcoming the continent’s past limitations in distribution and exhibition, and responding to a supposedly decolonized, increasingly globalized world, where power is shifting Eastward. will give the entire heritage of African Cinema back to Africans”. It only makes sense these shared interests would include the arts as well. There were many incredible African films made during this period, but even today many of them are hard to find. Unlike the pioneers of Hollywood, both Nollywood and Wakaliwood have an extraordinary tool at their disposal- but only the latter has made use of it to attract the wider world. The first truly African film by an African filmmaker. The movie has gathered this reputation due to the budget of only $200 making the VFX naturally awful, combined with the commentary by a Video Joker but has also been loved as a cult film due to the amount of effort involved. There is a reason that superhero films and action-heavy blockbusters like the Fast and Furious franchise have performed so well internationally. © 2014-2020 Cinema Escapist, a 501(c)3 non-profit organization. Something many African Cinemas seem to struggle to understand is that the vast majority of cinemagoers are not interested in high art that might perform well on the festival circuit. A recent documentary saw Nabwana visit China, as part of the latest Wakaliwood epic, As it becomes the largest film market in the world, Western filmmakers are scrambling for Chinese money with very mixed results –, It can certainly be problematic to assume, What Black Panther's Success Means For African Cinema, If Indian Movies Want Bigger Profits, They Should Focus on China, "Wolf Warrior 2" Shows a New Kind of Chinese Patriotism—That Speaks to Overseas Chinese, Interview: Berni Goldblat, Director of "Wallay", Review: "The Cursed Ones" and the Burden of History. Most moviegoers don’t always want profound, challenging films- sometimes they just want to have a good time. The adapted screenplay was written by Marc Moss and Kerry Williamson. Director Isaac Nabwana’s Who Killed Captain Alex?, the absolutely ridiculous “Supa Action” movie from the slum of Wakaliga near Uganda’s capital, Kampala, became a viral hit when its trailer was uploaded to YouTube, amassing millions of views across the globe. Then played straight when the helicopter drops off some Supa Dupa Ugandans in New York City, and they attack Katz's Delicatessen. is solely made to entertain. African Cinema (or what could also be referred to as Post-Colonial African Cinema, but I believe this terminology to be inaccurate) was born in 1963 with the release of Senegalese filmmaker Ousmane Sembene’s short film Borom Sarret (The Wagoner), and truly arrived with his debut feature film La Noire De… (Black Girl) in 1965. You don’t need to read subtitles to appreciate stunt work or an effective scare. There is a lack of outlets to educate Africans of their cinematic history, and that is partially because so many classic African films have not been preserved and restored. A trailer for the film was uploaded … It can certainly be problematic to assume Who Killed Captain Alex? They need to learn more about African Cinema before they can separate the Cinema of, say, Uganda or Nigeria, from African Cinema. Read more about The Death of Feminism (Not Really!) But when Who Killed Captain Alex? Through a long-time passion for martial arts movie from the East, Nabwana seems to be one of the only African filmmakers capitalizing on Chinese interest in the continent. Moonlight.Three films, two from African American filmmakers, that stand out not just because of their quality, but because they are films that broke new ground. Phase Two: Bold Introspection (1993-2010), “There are so many flashbacks in African films, it’s as though the continent is always remembering.”. As far as I’m concerned, this is the best way to overcome traditional hesitance to African fare- until distribution and exhibition models improve within Africa, then it is offering far more universal entertainment that will attract the world to what African Cinema has to offer. But there is still a way to go. The internet allows for overcoming the historical problems of distribution that have crippled African Cinema. Join our 20K+ followers on Facebook and Twitter. Uganda's president gives Captain Alex the mission to defeat the Tiger Maffia, but Alex gets killed in the process. For other uses, see Mason. Virality was clearly not Nabwana’s intention, but his creation has amassed a cult following who have sustained the film’s popularity on social media. You should leave him alone! The Death of Feminism (Not Really!) These three films represent attempts to address the past, namely the occupation of rediscovering a pre-colonial history in relation to the impact of the slavery and colonization. He inadvertently capitalized on the crossover appeal of genre films, and through his love of vintage Martial Arts movies has developed the kind of relationship with the Chinese market that no other African filmmaker has done. Now we have a brief overview of African Cinema’s history, just what makes Who Killed Captain Alex? Chaplin, Keaton and the studio moguls were a bunch of entertainers messing around in the California sunshine, in self-imposed exile to escape the monopolistic clutches of Thomas Edison over on America’s east coast. This is a point I have brought up before many times, because I believe this is the best way to kickstart a fourth phase of African Cinema. Cinema started as a form of entertainment before it became primarily about business. This kind of kinetic cinema will reach wider audiences and be a much easier sell to distributors both niche and mainstream. It demonstrates that the issues plaguing the exhibition and distribution of African Cinema’s rich variety of stories can be overcome. Because these films weren’t exposed to a significant audience or upcoming filmmakers during the first three decades of Phase One, it’s no surprise that they don’t come up in conversation with anyone but the most cineliterate or dedicated enthusiasts. Adanggaman is a scathing examination of Africans’ role in the Atlantic Slave Trade. But I believe this umbrella term is appropriate, and arguably more appropriate than breaking down the continent’s Cinema into its linguistic regions. There are a variety of reasons for this, such as a lack of proper preservation of original negative prints, a lack of awareness among African audiences, and a lack of voices bringing African Cinema into mainstream conversation. Who: Spider-Man; Source: The Amazing Spider-Man 2 (2014) Alvin and the Chipmunks film series . It was a film that was presented and marketed in a different way to other African films, and enjoyed worldwide attention because it was not so culturally specific as to be restrictive to wide audiences. As covered in my article about the doors that Black Panther has potentially opened to audiences, to expose them to more authentic African storytelling, high-concept genre filmmaking transcends cultural boundaries. It is based on the 2006 novel Cross by James Patterson and the third installment of the Alex Cross film series, which was considered as a reboot of the series. To date, Who Killed Captain Alex? Alex Kueng is one of four former officers accused of crimes in the killing of Mr. Floyd, which happened on his third shift. As the West experienced the benefits of the digital revolution, and film production became more democratized, in Africa there was still a lack of preservation, education and development on any great scale across the continent. Killer of Sheep. It may have been creatively influenced by both East and West, but the viewer is always aware that it is a Ugandan film. Just the fact they exist is enough of a milestone. Who Killed Captain Alex. The Ugandan soldiers and commandos in this movie wear camouflage clothing you can find in a typical Walmart or military survival store and wear no identifying patches, body armour or even military harnesses or gear. Action, Horror and Sci-Fi films trade in the emotional manipulation of the audience. But you would be surprised how much these four films have in common, even though one of them features a helicopter literally flattening a skyscraper whilst a narrator screams “What Is Happening?!?! What Amy Schumer Did for Love? As Africa rebuilt in the post-colonial era, Cinema was considered as hardly an essential factor in the development of an independent continent, compared to infrastructure and economic sustainability. It cannot just be written off as an attempt to enter into those canons of filmmaking. Kiplinger. This is another reason it is such an important film. The fact they are masterpieces has ensured they are more than just an interesting historical marker. Sembene was a pioneer in truly reclaiming African culture and telling African stories, both in literature and on screen. The entire adventure is (sorta) narrated by VJ Emmie (who is known in Uganda to narrate other films), a video joker—a commentator/translator who will occasionally add their own input, crack jokes, or just shout out random words. All this from the creative mind behind Ebola Hunter and Cannibal Mama. Killer of Sheep. If China pushes for as much development and intersection in Cinema as they have in so many other parts of the Continent, it will accelerate awareness of African Cinema- and Nabwana’s films would have started it all. Doubtlessly to the chagrin of far more seasoned experts and academics in the field of Africa Cinema, I have always used the term “African Cinema” to refer to the cinematic output of the Continent’s 54 countries, unless referring to a very specific National Cinema, such as Nollywood, in the context of an article. It has gained viral notoriety for being a no-budget action film, produced on a reported budget of under $200 though producer Alan Hofmanis admitted that it was a meager $85. Phase Three: Overcoming The Past (2010-Present). On the deck, a young girl, Katie Harwood, is sitting alone, until the ship's captain offers to dance with her. Starring Kakule William. There really is a Shaolin school in Uganda, and some of the actors enter kung fu tournaments regularly. This represents a much-needed evolution in what sort of African stories were being told. Haile Gerima’s Sankofa and Roger Gnoan M’Bala’s Adanggaman are, to my mind, two of the best films from my self-defined second phase of African Cinema. Uganda's president gives Captain Alex the mission to defeat the Tiger Maffia, but Alex gets killed in the process. Progress was being made, of course, but it’s hard to identify any notable cinematic movement or evolution of Africa’s film industries in a business sense. The Internet truly democratizes filmmaking, and Who Killed Captain Alex? Approx 27" x 41" NOTE: Now you can choose between Captain Alex, The Cannibals, and our upcoming poster for Return of Uncle Benon. Who Killed Captain Alex? Come on. provided action filmmaking on Ugandan terms. Crucially, Who Killed Captain Alex? Rebellion school of filmmaking, by one of the first publicly recognized African-American filmmakers since Oscar Micheaux. Splitting hairs over definitions is all well and good amongst a select few. It indicates a way forward for African Cinema to become a more vocal force on the world stage, and looking at the making of this ludicrously entertaining film is a great way to chart the evolution of African Cinema in the last 55 years, which draws certain parallels to the birth of Western Cinema. I am not saying Who Killed Captain Alex? Just the fact they exist is enough of a milestone. I believe that, for the sake of simplicity within this article, African Cinema’s history can be broken down into three broad phases. This is where the biggest issue that still limits the potential of African Cinema originated- seriously underdeveloped models of exhibition and distribution. But African Cinema needs to break out for these important intellectual debates to really take flight, and it is films like Who Killed Captain Alex? arrived, there was no going back. These kinds of films feel less immediate and more philosophical. Upon hearing the tragic news, his brother investigates to avenge Alex. No other African film can boast this kind of influence or success. Of those that exist, African films are not as popular as international fare so are not as commonly exhibited. Who Killed Captain Alex? Who killed Bryce Walker: Alex, while Jess watched and didn’t help save Bryce. was not part of a nationalized cinema, and it breaks new ground on multiple levels in the same way that Hollywood’s film industry did back when it started. Comparison to the silent era of Hollywood reminds us that Nabwana is the first true African movie mogul. The movie is scored with whatever music was royalty free. Beyond the festival route, African Cinema still didn’t penetrate the mainstream in any way since the derivative and diminishing The Gods Must Be Crazy franchise a decade earlier (it should be noted they found success in Asia, but more on that later). is important just because it is seen by a wide global audience; that African films that haven’t been so popular aren’t as important for the artistic techniques they employ, or the issues they address, or ground they break within their own country. The Wakaliwood films Who Killed Captain Alex? That is my dream.”. Wakaliwood’s work has received tens of millions of views on the internet, and all despite a budget of approximately $200. They are going to be the future of this industry. Soviet ships’ officers would have been familiar with the story of Aleksandr Dudnik, the captain of the Aleut, the only factory ship the Soviets owned before World War II. 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